NO!art + About + Front + Manipulation + Mail + Reload

EN | DE
Detlev Andrea Hjuler  <<<  >>>
about Kommissar Hjuler and Mama Baer search


About
Activities
Audio
Interviews
Review
Paintings
Objects
Performances

NO!art
occupies
the strategic
juncture where
artistic production
and socio-cultural
action meet.

Stuetzpunkt
Foundation

NO!manipulation

 
Portrait Commissar Hjuler and Mama Baer

DETLEV HJULER—also referred to as Kommissar Hjuler, born 1967, and ANDREA HJULER—also referred to as Mama Baer, born 1981, work as musicians and artists in their very experimental vein for a number of years. Afterwards they increasingly turned to the creation of sculptures and paintings. Given their strange music, one might have expected them to be have been artists from the start. But they only began regarding themselves as artists in summer 2006, which marked a turning point in their career: their output of paintings and sculptures began to rise. Mama Baer now is supported by WOMENSRADIO, Oakland/CA, U.S.A., presenting her music for several radio transmissions and some tracks as mp3-files on their website. They are based in Flensburg/Germany.

wikipedia + homepage + facebook + instagram

2020  FLUXPLUS ON VINYL | with Wolfgang Kindermann, MAG3 Transfer, Wien
2014  NO! FLUXPLUS | Handewitter Wood, Flensburg/Germany
          BEEKEEPING FLUX FLUG | European Kunsthof, Stolberg
2013  H.O.M. Inc | Atelier Cross Art, Berlin
          INTERNATIONAL VIDEO SCREENING | G.A.S-station, Berlin
          BROTKATZE-COLLABORATIONS IV | Gallery Kunststueck, Berlin
2012  FLUX PLUS | Summerhall, Edinburgh
          BROTKATZEN | Förderkreis zeitgenössische Kunst, Euskirchen
          FLUX PLUS | Eagle Gallery, Berlin
          DEPRESSIONS + CONQUESTS | Gallery Offenes Atelier, Villach/Austria
2011  FOLTERGAUL (Torture Horse) | Reading with musical barriers | BAGL affairs,
          Berlin

          A!statement: GERTRUDE STEIN, LASS DAS SEIN! | Cafe OTO, London
          MIND ORGASM | Harmonic Rooms, Hull

NO!art involved Artists: ARMENTO + ARONOVICI + BAJ + BARATELLA + BECHER + BROWN + BRUNET + BRUS + CHORBADZHIEV + D'ARCANGELO + DAYEN + DE RUVO + EHM-MARKS + ERRO + FABRICIUS + FISHER + GATEWOOD + GEORGES + GERZ + GILLESPIE + GILMAN + GOLDMAN + GOLUB + GOODMAN + HALLMANN + HASS + HJULER + KAPROW + KIRVES + KUSAMA + KUZMINSKY + LEBEL + LEVITT + LONG + LST + LURIE + MASTRANGELO + MEAD + MESECK + PATTERSON + PICARD + PINCHEVSKY + RAMSAUER + RANCILLAC + ROUSSEL + SALLES + SALMON + SCHEIBNER + SCHLEINSTEIN + STAHLBERG + STUART + TAMBELLINI + TOBOCMAN + TOCHE + TSUCHIYA + VOSTELL + WALL + WOLF + WOYTASIK + ZOWNIR

NO!art has continued way beyond 1964 and also prior to 1958. The "cutting-off" date 1964, as espoused by the art historian is entirely artificial. Such cutting-off dates are common to art historians, done for cataloguing purposes, and what is more, for accreditation of monetary value in the art market. The cutting-off dates also have a devastating effect on the production of artists, who are, by those means, being convinced that what they produce after a cutting-off date is secondary in importance, and do not belong any longer to the "new times". Yet the art market hated it, for practical reasons of creating confusion about monetary value. That is the main and real reason for art historians and critics insisting on this untrue measure. - Boris Lurie, 2003.

line
© https://hjulerbaer.no-art.info/_memo-en.html